Meg Hentges

How did you get involved in creating music ?

 

My Grandfather was a fiddle player/bar owner in New York, so I grew up around live music.  He gave me my first tape recorder. 


I started playing the electric guitar when I was 11 years old.



How did you end up using FL Studio ?

 

I started using FL a couple of years ago when I owned an analog 16 track studio.  I had heard rumors about "virtual drum machines", surfed around, and found FL by accident.  When I downloaded the demo and started exploring, I was stunned by the creative possibilities.


What does FL Studio mean in your current setup ?

 

FL Studio (plus a wave editor) is the only software I ever use now.  I've retired my hardware sampler and sequencer, and since FL added audio recording, my rack mounted hard disk recorder rarely gets switched on.


What are the advantages & disadvantages of using hard- & software ?


I hate computers, but I love software.  I don't remember how I managed without instant recall of mixes, or without automation.


There are a couple of hardware boxes I'll never let go of (compressors and favorite sound modules) but it's a simple matter to integrate those pieces with FL Studio.


Interesting links :


The Music In My Head Is Very Good.

Exclusive Interview With Meg Hentges

by Jody Beth Rosen


FL Studio loop ...

Check out this FL Studio project from Meg Hentges here.

 

Who did you work with so far ?


Solo albums (with Jude O'Nym) :


"Tattoo Urge"


(Tim Kerr Records)









"Afterlaugh"


(Tim Kerr Records)









"Brompton's Cocktail"


(Robbins/BMG)









Current Projects :


Skidding Kitty, "Something About My Lucky Shirt", co-writer/producer


Funnel Club, "Hardcore Headspace", co-writer/producer


Co-operations :


Neo Boys, "Crumbling Myths" (Joe Records), guitars, vocals


Two Nice Girls, "Like A Version", "Chloe Liked Olivia" (Rough Trade UK), guitars, vocals, bass, mandolin, keyboards